DEPARTMENTS
The Rating Game
By Lauree Padgett
It's May. Or as it's known throughout TV-dom, the
regular-season-ending "sweeps" period. Sweeps, for
those not in the know, happen four times a year: February,
May, August, and November. May sweeps are particularly
noteworthy because series that will return in September
often show cliffhanger episodes. To date, the biggest
cliffhanger has to be the 1980 Dallas finale
that had fans wondering all summer long "Who shot J.
R.?" (It was J. R.'s vixenish sister-in-law, Kristen.)
Here's another way to know it's sweeps season: If
your favorite news program suddenly switches from serious
reporting to more sensationalized, National Enquirer-esque
stories ("Lose weight by painting your toenails. Details
at 11!" "Woman abducted by identical mute triplets
found safe at laundromat! Tune in to Channel 5 for
her exclusive interview!"), it must be sweeps. Of course,
within the pages of the many esteemed Information Today,
Inc. publications, we never have to resort to gimmicky,
eye-catching titles. Our readers know we always have
interesting and useful articles, including the ones
I'm "sweeping" over this month from Computers in
Libraries, ONLINE, and Searcher.
Branded!
When you see a coonskin capOK, so no one ever
sees a coonskin cap anymore, but humor mewho
do you think of? "Davy, Davy Crockett, king of the
wild frontier," of course. Back in the Golden Age of
Television, a violin was associated with the beloved
skinflint Jack Benny. In the 1980s, vanity license
plates became the craze thanks to the aforementioned
Ewing clan, whose Porsches could be easily IDed on
or off the Southfork Ranch with their "EWING1," "EWING2," etc.,
tags.
These days, a green gecko represents an insurance
company, a Chihuahua was the spokesdog for Taco Bell,
and a duck that screams "Aflac" is the rumored reason
behind the Bennifer breakup. What's the point of all
this? Unless you're a hoofed animal, branding is a
very good thing. Just ask Sejan Yun ("Branding Helped
to Promote Our Library and Its Technology," Computers
in Libraries, May 2004, p. 18). Her workplace,
the Saint Paul Public Library, used a 2-year-long renovation
project to raise the general awareness of the entire
library system by creating an identity program and
logo.
The program was broken down into two basic phases:
the decision phase, in which the logo was created and
finalized, and the implementation phase, in which the
logo would then be incorporated into all library promotional
materials. Along with four core groups involved in
the program, all 200 library staff members were asked
for input during the 5-month design process. The finalized
logo, along with a brand-new Web site, was publicized
through press releases and media packets. The logo
was also featured on T-shirts and magnets.
In the end, was the 2-year, $30,000 branding effort
worth it? Yes, according to Yun. Circulation and gate
percentages are going up. "With our new identity in
place, it's easier, more efficient, and more fun to
project the library's image as that of a healthy, vital,
community learning place."
Live from Your Library
You might not have original Saturday Night Live cast
member Chevy Chase tripping down stairs or over golden
retrievers to announce it, but has your library gone "live" by
offering patrons online real-time access to a librarian?
Or maybe your library's still in the looking-into-it
stage. Either way, you'll want to check out the article "Facing
Live Reference," by Joe Fernandez (ONLINE, May/June
2004, p. 37).
In isolated geographic areas, or when combined with
other forms of library service, live reference (LR)
is becoming an increasingly popular tool for handling
off-site information queries. Through LR, librarians
are able to chat online with clients, first helping
them identify the
information that's needed, then helping them find it. Fernandez expounds upon
the areas that are most crucial to the successful implementation of LR.
Learning the online ropes of virtual communication
is especially critical. To create "virtual harmony," you
need to strike a balance between making a machine-driven
service more human and keeping online interactions
professional and respectful. Fernandez suggests that
LR librarians create their own Web portals of useful
online resources. Having personalized portals will
not only help a librarian stay on top of existing resources
but will help him or her find them as quickly as possible.
LR, Fernandez concludes, "is a dynamic vehicle for
a community of information seekers and information
providers struggling in cyberspace to find a partnership
to fill information gaps."
Treasure Aisles
Do you remember a game show that had people racing
out to an island to dig up buried treasure? Maybe it's
time to go on a treasure hunt a little closer to home:
your own institution. In her article "Institutional
Repositories: Hidden Treasures" (Searcher, May
2004, p. 41), Miriam A. Drake discusses how to uncover
valuable scientific, technical, cultural, artistic,
and historic artifacts that may have all but been forgotten
in the archives, basements, and attics of universities,
museums, and government sites. "Why?" you might ask. "Who
needs repositories?"
For starters, faculty members, researchers, and administrators
want to archive these types of materials. This is why
the development of institutional repositories has largely
taken place within academia. And here's another reason:
Repositories help universities showcase faculty and
student research, public service projects, and other
activities and collections.
If your institution is deciding whether to establish
a repository, there are many things to contemplate,
including the scope and sustainability of the repository,
the accessibility and type of content it will contain,
and the funding behind it. Legal considerations such
as intellectual property rights cannot be overlooked.
Drake stresses: "A repository cannot run by itself.
It needs constant attention. Maintenance of content,
software, and accessibility can change. IT staff and
librarians need to know the consequences of changes
... and be able to adjust accordingly."
Flushed with Pride
If I were to be branded, it would probably be with
a huge "P" placed prominently on my person. And no,
it wouldn't stand for my last name. It would stand
for "puns"and not necessarily good ones. As for
my logo, I think I'd "borrow" an idea from "Harvey
in the Morning," my all-time favorite Philadelphia
DJ who had a joke-of-the-day segment on which I was
featured on more than one occasion. After telling my
joke, I would always hear the distinct sound of a flushing
toilet. This only goes to prove that comedy is a tankless
job. Hey, I heard that!
Lauree Padgett is Information
Today, Inc.'s manager of editorial services. Her e-mail
address is lpadgett@infotoday.com.
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